Story by Cpl. Brian A. Tuthill

MARINE CORPS AIR GROUND COMBAT CENTER TWENTYNINE PALMS, Calif. (March 25, 2006) -- More than 500 Combat Center Marines, Sailors and family members packed the base theater March 22 for a night of laughs and entertainment.

Comedians Drake Witham, Jeff Hodge and Jimmy Della Valle took the stage during the Comedy Connection event, sponsored by Marine Corps Community Services. The show spanned two hours and was limited to patrons 18 years and older.

“I had a really good time,” said Pfc. Robert Perez, who attended the show with fellow Marines of 2nd Battalion, 7th Marine Regiment. “I think we all did. I liked the last comic especially. He was dirty, and I liked that.

“It’s great to have shows like this for the Marines because it’s good to be able to go and have a laugh,” said Perez.

All of the Los Angeles-based comics, who met for the first time backstage, said that their first visit to Twentynine Palms was a memorable one and they hope to return.

“These comedians were absolutely wonderful,” said Kelly Coe, MCCS special events coordinator. “They were very well-received by the crowd and they loved being here. I really enjoyed watching them.”

Coe said although the crowd has grown with every comedy show MCCS puts on, this was one of the biggest she had ever seen.

“These guys were all great, but we don’t want to have the same comedians back every time, unfortunately,” said Coe, who has already begun planning the next show for September. “We try to vary the different styles of comedy so that we are able to reach everybody.”

Coe said she hopes the next show is even bigger, but judging by the big laughs received during the show and smiles as people exited the theater, it may be hard to top.

Jeff Hodge
Age: 27
Hometown: St. Thomas, U.S. Virgin Islands
How many years have you been performed? 15 years
What got you into doing comedy? “My friends and classmates thought I was funny. At college, a classmate got me thinking about performing since architecture didn’t seem to be working out. The journey has been amazing. If you had told me as a kid, I would never have believed that I’d be living in Los Angeles as a comedian.”
What was your initial impression of the Combat Center? “It was big! It’s amazing to think about the war and to see Marines back here doing their daily routines. Life goes on. I hear about a lot of the Marines from Twentynine Palms out in Iraq and Afghanistan but there are still a whole lot left.”
Where have you toured overseas? “I traveled to eight countries in 23 days in the Middle East. That was quite an experience.”
What do you like best about doing military shows? “How appreciative they are. Athletes and celebrities are worshipped by people, but really the people in the military do amazing things and that should be reversed. I was genuinely shocked at how appreciative service members are. Their sacrifices allow us to do what we’re doing.”
How was the show for you? “I really liked it. I was actually surprised at how vast the theater was. It’s up in the same class as some big university theaters. We had about 500 people in the theater and everyone came here to laugh. I’d come out here again in a heartbeat.”


 

 

 

 


 

 

 

St. Thomian Proves He's Really a Stand-Up Guy


By Lynda Lohr

    Feb. 21, 2006 – St. Thomas-born Jeff "Ox" Hodge, 39, thought he'd be an architect, but after friends convinced him he was funny, switched gears to a life in the entertainment field.
     Now living in Los Angeles, the son of Edgar and Zulah Hodge, of St. Thomas' Lindbergh Bay, has a growing list of comedic and writing credits on his resume.
     He and friend Denver Williams just came out with a book, "101+ Ways to Keep Your Man." Hodge said the book is based on Williams' departure from a relationship with a woman. It's available online from the publisher, iUniverse. [ http://www.Iuniverse.com/bookstore/book_detail.asp?isbn=0595376339
]  
     Hodge's road to Los Angeles, like most entertainers, took years of perseverance and effort.
     After a year at Charlotte Amalie High School, he left St. Thomas in 1981 to live with his aunt, Ruby Vanterpool, so he could finish high school in Houston, Texas. Friends told him that because he was funny, he should be a comedian.
     He said he first tried an open mic night at a comedy club.
     "It didn't go well. I wasn't funny," he said.
     After a brief sojourn to St. Thomas in 1984, he went off to study architecture at the University of Houston. It wasn't a good fit, and Hodge said he was looking around for something to do when another friend told him to try comedy because he was funny.
     "I tried for a whole summer at an open mic. I didn't know what I was doing," he said.
     After this experience, he saw a flyer advertising lessons on how to be a stand-up comedian. With only half of the $200 fee in his pocket, his friend lent him the other $100 to pay for the eight-week class.
     Finally, the how-to's of comedy began to click, and he became a regular at Houston's Comedy Workshop. Needing a way to support himself, he became a traffic school instructor, an experience that provided fodder for several books, including "101+ Ways to Get Out of a Traffic Ticket."
     In 1995 he decided to expand his horizons and moved to live with his brother in San Diego, where he wrote a couple of books and kept up with his traffic school instructor jobs.
     In 1996, Hodge said he decided he was ready to try for the big time in Los Angeles.
     His credits so far include parts in the films "Crocodile Dundee in LA," "Deuce Bigalow," and "Director's Cut."
     He's also appeared in television shows "The Parkers," "City of Angel," and "Make Me Laugh," and written for the "Keenan Ivory Wayans Show."
     "I still do stand-up," he said.
     Hodge said, he went to the Middle East on a USO Comedy Tour.
     In his spare time, he said he likes to go dancing and travel. "And I like to create and think about creative things," he said.

 

 

 

 


 

 

 

Jamaican comedian keeps them laughing

Five years ago, Jeff Hodge had been doing comedy for a few years in Los Angeles. But even with his experience as a stand-up comedian, he had his setbacks.

One night after a successful show at the Laugh Factory, Hodge received a call from Magic Johnson’s T.V. show; they wanted somebody to warm up the audience. Hodge agreed to the gig and he drove to NBC studios in Burbank.

After not being able to afford parking, Hodge entered the studios where he was confronted by one of the big shots with a remark he will never forget.

"The lady said, ‘We looked at your tapes, you sucked,’" Hodge said. "I’ve had people tell me we don’t think you’re right for the project, we’re going in a different direction. I have never had anybody come to me point blank, you suck."

Hodge said even though that experience was the most humiliating and devastating moments of his career as a comedian, it made him persevere that much more.

"I was telling my friend the other night, when I’m up there accepting an Academy Award I’m going to thank all the people that wouldn’t give me the time of day when I was trying," Hodge said. "The more they told me I couldn’t do it the more I tried to do it."

Hodge grew up in the Virgin Islands (Jamaica) and was far from being the funny, laid-back comic he is today. Hodge’s brother, Kelvin, said out of all their siblings, Hodge was the most serious. His siblings used to call him "Big Brother Almighty."

"He was more like a father-figure," Kelvin said. "He always had a serious look on his face. He reminded me of my dad–looks like my dad (and) acts just like my dad."

It wasn’t until Hodge moved to Texas where he studied at the University of Houston that the idea of being a comedian for a career ever crossed his mind.

"(On the islands) there was no such thing as comedians," Hodge said. "I didn’t know what that was."

Having already taken a shot at comedy–memorizing a five-minute act one of his friends had written and regurgitating it on stage–Hodge was weary of ever attempting to be a comedian again.

In an architecture class at the University of Houston, one of Hodge’s classmates urged him to go for comedy.

"He worked with me and coaxed me to going to open mic," Hodge said. "Five minutes before I went on stage he said, ‘You’re not real easy to make laugh, so I don’t know if you’re funny.’ I went up on stage that night and I did terrible too. I bombed. I didn’t know what I was doing."

Hodge and his friend Ashley decided to join a private comedy class called, Comedy Gym Class. In the comedy class, Hodge learned what it takes to be a comedian.

"I thought you had to be grammatically correct so one joke would be a page long," Hodge said. "People would look at me like a dead headlight."

Hodge said his comedy instructors taught him to get to the joke as quick as possible and to talk about himself and what he knows. They wanted the "Cosby-like smile," Hodge added.

After three years of college where he bounced from major to major, Hodge dropped out of school as a senior and left for the road as a comedian. He came to Los Angeles and entered a foreign world.

"Moving to L.A. was an eye-opening experience," Hodge said. "You do the road, have great sets, people tell you you’re funny, you should do a sitcom. You come to L.A. and you realize it’s not about talent it’s about having the right management, making the right connections and persevering."

Having been in Los Angeles now for 10 years, Hodge has been a successful comedian. His fame includes Crocodile Dundee in LA, Deuce Bigalow: Male Gigolo, a writer for The Keenan Ivory Wayans Show and the author of three humor books: "101+ Ways To Get Out Of A Traffic Ticket," "Pet Peeves: Things That Tick- Me Off About Driving" and ‘101 Ways To Stay Awake While Driving."

He also owns his own production company, Yeah Mon Entertainment, which puts on a show called, "The Ambassadors of Comedy, A collection of America’s funniest foreign comedians."

"I like doing my own thing (because) I’ve never had someone do it for me," Hodge said. "When I wrote the books, printers said, ‘It will never sell.’ You’ll never make it in comedy, you have an accent no one will understand you; that club has since closed."

Hodge is taking classes at CSUN toward a major in cinema, television film. He plans to produce and direct comedy shows and movies.

"You gotta wear all the hats," Hodge said. "Once you achieve the level of (success), once you get there, (then) you can delegate."

Hodge said he is comfortable with comedy now that he can perform without being so structured.

"I take a lot of chances on stage with improv (and) wing a lot of stuff," Hodge said. "When you first start off you have to have that material solid. You can’t be winging it. They (comedy clubs) expect you to be funny. You get booked to do a 30-minute spot, you don’t want to be funny every now and then, you gotta be funny at least every 13 seconds–punch line, punch, punch punch. You ain’t funny, guess what, you ain’t comin’ back."

When the audience roars with laughter, Hodge said it is a great feeling.

"I leave the clubs high," Hodge said. "I’m up all night going through my Rolodex, ‘Who can I call.’"

What about when he doesn’t perform well?

"You can have a thousand good sets and two bad ones," Hodge said, "you’ll remember the two. Those two will haunt you forever."

A12-year veteran of stand-up comedy, Hodge hasn’t given up. Even after the greatest setback of his career at NBC, Hodge continues to pursue other avenues of comedy.

"I really like what I do," Hodge said. "The average person would’ve given up then. Something told me to stick with it and I have."

Jeff Hodge’s show, "The Ambassadors of Comedy: A collection of America’s funniest foreign comedians" will be playing in the University Student Union at the Performing Arts Theater tonight at 8 p.m.

 

 

 

 


 

 

 

Driving is serious business for teaching comics

.


By CHERYL LAIRD
A performer couldn't wish for a more captive audience.                                                             

Gathered around dimly lighted cocktail tables, the 41 adults laughed exuberantly at the appropriate moments. During the eight-hour show, not one person left.

They weren't allowed to.

Not if they wanted to erase the memory of that latest speeding ticket and have their auto insurance reduced by 10 percent.

A defensive driving course. Ughhh.

Ask almost anyone who has taken one. Expect to be met with a glazed look as they dredge up memories of staving off sleep while being lectured on the geometric pattern of stop signs.

But the students in this defensive-driving class didn't snooze, even during the road-sign segment. Their teachers, two professional comedians, kept them alert by tickling their funny bones.

Using a modified Socratic method, John Ryan (teacher of the morning session) posed hypothetical questions to his students while pacing the stage in typical comedian fashion.

What do you do if the hood pops up while you're driving ? Ryan read from the state guidelines: Look through the gap underneath and carefully pull over.

"It makes a great sun visor, but don't keep driving like that," he added, assuming an exaggerated Southern accent. " "Well, we're only 450 miles from the Florida state line. We can make it.' "

What would you do, Ryan then asked, if your headlights failed while on the road at night?

"Don't pull out that butane lighter and go, "Dude,' " he said. "Don't do that. People will drive by and yell, "Freebird, man, Free bird.' "

The "classroom" at Spellbinders Comedy Club on Westheimer erupted in laughter.

Part comic and part coach, Ryan and afternoon-session teacher Jeff Hodge cajoled their students into learning eight hours' worth of driving techniques in preparation for the state's very serious exam at the end of the day.

They and five other local comedians have been teaching classes on weekends since Sept. 27 at Houston's two Spellbinders clubs. Weeknight classes just began at The Comedy Showcase.

Richard Schiller -- president of The Comedy Defensive Driving School, which administers the classes -- came up with the idea of using comedians to teach defensive driving about 3 1/2 years ago.

"Basically, I just slept through a defensive driving class and decided I could do better," said Schiller, who was managing a Fort Worth nightclub at the time.

Schiller said the Texas Education Agency initially wasn't too fond of his idea.

"They were doing it out in California. But they were throwing rice and toast and everything," he said. "It was a joke. It got a bad rap around the country."

Texas drivers apparently were unaware of the industry's less-than-favorable reputation.

Since its first class one year ago at The Improv in Dallas, the school has expanded to 11 comedy clubs in Dallas, Fort Worth, Austin, Houston and Amarillo.

Classes often reach their maximum of 50 students, who appear not to be turned off by the slightly higher cost. The fee is $35 per person, about $10 more than most courses. (The school's information and reservation number is 469-2828.)

Larry Meador, 27, is a graduate of two traditional defensive driving classes. After this latest speeding ticket, he decided to enroll in Saturday's session at Spellbinders.

"I've been to other classes that were so boring. It's in a classroom. They show you all these old 1940s movies," he said. "These guys, they give you the same information, but they make you laugh at the same time, so I think you remember it better."

Irma Henry, the school's general manager, scouts local comedy clubs for teaching talent. She's looking for clean, "Jay Leno-type" humor that won't draw the wrath of the state's defensive-driving school licensing board.

The comedians must take a 24-hour course in Austin, plus teach 16 hours of supervised defensive driving without jokes, before being licensed by the state as teachers.

While the comedian-teachers are encouraged to use their own style and material, they're prohibited from making jokes about sex, race, religion, seat belts and drinking while driving .

"It's beautiful because I try bits that I've been wanting to do onstage," Ryan said after class. "They have to be there, so if they don't laugh, big deal."

Also, he said, if the audience does laugh, you know it's because of your comedy -- not a third round of cocktails. Besides, the money comes in handy while on the way up the ladder of comedy success.

Much of the teachers' humor is spontaneous, based on audience participation.

During Saturday's morning session, Ryan asked class members what they should do if the accelerator sticks while they're driving One student made the mistake of suggesting that the driver reach down to the floorboard and try to pop it up.

That answer provided enough comic fodder for the remaining 30 minutes of the session. "While going 55," Ryan mimicked good-naturedly, "you just reach down there ... "

He pantomimed lying down on the floorboard of a car while peaking occasionally over the dash. "Oh look, a Lifesaver! Oh, let's replace a fuse while I'm down here."

He then explained that it might be a better idea for the driver to try popping up the accelerator with his foot instead.

 

 

 

 


 

 

 

Comedian gives tips to beat tickets
Stay calm, act sick, instructor suggests

 

BYLINE: Susan Hightower   
HOUSTON (AP) - Comic and defensive driving instructor Jeff Hodge has some advice for people who want to avoid a ticket when pulled over by a police officer: Keep calm. Don't argue. Use flattery. And blame everything on bodily functions.

 
Hodge writes in his new book, 101+ Ways to Get Out of a Traffic Ticket, that he once had a neighbor who could vomit at will, and she threw up on any officer who pulled her over.

"They let her go every time," he writes.
Not feeling nauseated?
"The No. 1 excuse is, I have diarrhea," Hodge said Friday. "And for ladies, crying. Just do a good cry job, and eight times out of 10, you'll get out of the ticket. It don't work for the guys, though."

 

Hodge, 25, moved to Houston from the Virgin Islands 11 years ago and has been a comic for about five years, performing frequently in Houston and around the country.
For the past year, Hodge also has been teaching about three nights a week at Comedy Defensive Driving School, a chain using comics as instructors that started in Dallas and has expanded across the state.
Hodge said he was prompted to write a book after hearing numerous outlandish stories from students who were pulled over but talked their way out of a citation.

 

"You think that you're the only one that does this, then you get in there (class) every week, and - `You did what?' "
he began collecting successful excuses from students, plus people who approached him after his stand-up routines.
The self-published book lists 144 excuses, plus numerous "enlightening stories" Hodge says are true sketches of how people have avoided tickets.
"Everything in the book, it's pretty much happened - I may have put a funny twist to it," he said.
The most important lesson it offers, Hodge said, is for motorists to see themselves from a police officer's point of view.
"It's little things that just kind of sway the officer's opinion," he said. "Sometimes you just blow 'em away. They come up, they're all mean, all serious and stuff, you just say things (laughs). - `That's original. I'll let you go. It's cool. Slow down.' "
Hodge said he has discussed the excuses with several of his friends on the Houston Police Department.
"I ask them, so what excuse won't you go for? Most of them . . . (say) `It just depends on the mood I'm in,' " he said.
Mood - both the motorist's and the officer's - weighs heavily on whether a ticket will be issued, Hodge says. "If he's in a good mood, you're in a good mood, you're pretty much home free."

 

A motorist's appearance, the weather and the size of the city a motorist is stopped in are other important factors, Hodge said. Small towns depend more on tickets for revenue, he says.
"So the next time you are driving through a small town, be on the lookout for an unmarked police car. Like that tractor with the red and blue lights on top," he writes.
 
Other excuses:
 
"My divorce was finalized today so I was celebrating."
 
"My favorite tv show, "Cops starts in 10 minutes."
 
"My wife is is about to become pregnant and I want to be there when it happens."
 
"I'm on my way to propose to my girlfriend and wanted to get there before I changed my mind."
 
"Officer, it just seemed like I was going fast cause you were standing still."
 
If all else fails, Hodge suggests, "Giving the officer a copy of his book.  When he starts reading, it, take off"